“GDLS” is not a traditional album. It’s a conceptual work about disillusionment, the loss of faith, and inner reckoning. Each track represents a phase of collapse: From the initial rage against religious hypocrisy to the cold realization that no salvation is coming.
The lyrics move between poetic reflection and razor-sharp critique, always grounded in a dark, heavy soundscape. The production blends cinematic strings, aggressive percussion, and sacred fragments with modern hip-hop elements. The songs feel like chapters of a manifesto – no catchy hooks, no chart formulas, just raw thought. “GDLS” isn’t meant to entertain, but to provoke: reflection, rejection, recognition. It is the opposite of background noise – loud, uncomfortable, unforgettable.
Visually accompanied by symbolic, unsettling imagery and a cohesive aesthetic, “GDLS” is built as a multimedia project. Each track has its own artwork and distinct message, yet all are part of a greater whole. This album is a conscious decision against disposability—and a stand for artistic integrity.
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Goliath
GOLIATH LXIX isn’t just a rapper – he’s a reckoning. Born Gabriel Krieg in South London, he grew up surrounded by deception – faith used as a tool for power, silence used as survival. Instead of chasing fame, he filled notebooks with raw, unfiltered truths, waiting for the right moment to speak. That moment came with “GDLS” (Godless) – his debut album and a manifesto of rage, exposing the hypocrisy of religion, industry, and control. No radio-friendly singles, no glossy PR strategy—just brutal, orchestral beats and sermons carved in fire.
He doesn’t care for industry approval. He doesn’t need validation. GOLIATH LXIX is a ghost in the system, a voice that wasn’t supposed to be heard – but now that he’s speaking, you can’t ignore him.